This course will provide instruction of, and guided practice in, the basics of the art and craft of sound design for theater. It will explore the fundamental tools and processes essential to conceptualizing and implementing both the content of a sound design and the sound system for delivery of that content. At the end of the course, students will master the assembly and operation of simple sound systems, and an ability to interpret basic sound-system documentation.

Studio. Study of "seeing": concentration on the articulation of visual pictures developed from a dramatic text and on research; functions and qualities of light and the development of lighting concepts. Practical application of design through specific crew assignments on Department productions.

Students will explore set/scenic design for live performance in a studio format. What is a performance space? We will investigate the idea of performance spaces where theatre can happen, as well as create some of our own. The main objective is to introduce the language, tools, and technical skills involved in the discipline of scenic design and to lay the foundation for further study while empowering students to actively engage as set designers in productions on campus after taking the course.

Script analysis and development of vocal and physical performance in the building of effective stage characteriza-tions. Improvisations and scenes.

Studio. Development of the actor's physical resources through movement analysis and practice. Specific theatrical problems in: mask, theatrical clown, status improvisation, character portrayal. Prerequisites: THEATER 140, consent of instructor. Clothing allowing freedom of movement required.

Trends in theatrical practice from the end of the 19th century to the present; emphasis on surrealism, expressionism, absurdism, and performance art.

Trends in theatrical practice from the end of the 19th century to the present; emphasis on surrealism, expressionism, absurdism, and performance art.

Advanced production assignments as stage manager, house manager, designer, or crew chief for major department productions. Credit by approved contract only. May be repeated for credit.

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