Not available at this time

Seminar to inform students of all the different careers/options that are available within the Finance Industry.

Not available at this time.

This course will raise theoretical issues of spectatorship, tone (irony, distanciation, citation) gender, genre, while being firmly grounded in the formal analysis of filmic text; the construction of the filmic text and its "meaning," and the destruction of subject by means of abyssal structures (mises-en-abyme, structural or metaphoric infinite regresses); Fassbinder's ideological fatigue and complex sexual politics, Godard's political innocence (which is not the same as naivete), his cinematic energy amidst his films' increasing cultural despair.

Instead of the traditional use of found footage in video essays this class will explore bodily engagement with film and media that is at the same time performative but also reflexive. Together we will examine the many critical potentials of such an embodied research. There are absolutely no prerequisites for participants.

This course is an introductory workshop in 16mm single-camera filmmaking, linear editing, and film projection intended for students interested in pursuing further creative production and coursework in film, especially toward completion of the Certificate in Film Studies. Creative work is complemented by a rigorous selection of readings and screenings. Exploration of technological possibilities to broaden student creativity will be emphasized, and the development of personal vision and style will be stressed. UMASS UNDERGRADUATE FILM CERTIFICATE CATEGORY: IV, V

Picking up on the concept of a "minor use of a major language" as developed by Gilles Deleuze and Felix Guattari, this class wants to explore how to rework and reframe film history by making minor use of its major film texts (e.g. focusing on supposedly minor detail in a famous film in order to deconstruct, and/or decolonize it etc.) There are absolutely no prerequisites for participants.

This course explores the genre of Experimental Film and Video with a critical eye toward the history and current articulations of this form of production in both feature film and short form movies; videos. The course begins with an introduction to the genre, then explores Experimental Film; Video according to three different categories: Experimentation with Narrative, Experimentation with Structure; Form, and Experimentation with the line between Fact and Fiction.