The short story is an important narrative form in the United States where it has maintained popularity over its long history dating from the eighteenth century. This course employs a critical race studies and cultural studies approach and centers on the development of the short story in African American literature as well as on the prevalent issues and themes in African American literature. Many black writers have found that the short story form provides a viable structure in which to present varied topics from African American life, history, and culture.

Examination of the Civil Rights Movement from the Brown v. Topeka decision to the rise of Black power. All the major organizations of the period, e.g., SCLC, SNCC, CORE, NAACP, and the Urban League. The impact on white students and the anti-war movement. (Gen.Ed. HS, DU)

Examination of the Civil Rights Movement from the Brown v. Topeka decision to the rise of Black power. All the major organizations of the period, e.g., SCLC, SNCC, CORE, NAACP, and the Urban League. The impact on white students and the anti-war movement. (Gen.Ed. HS, DU)

Survey of AfricanAmerican literature of the 1920s: fiction, poetry, essays, folklore. Through the eyes and ideas of the writers, time, place, and socio historical and political contexts of 1920s revealed. Themes include: Harlem as symbol; identity of New Negro; and role and responsibility of black writers, male and female. (Gen.Ed. AL, DU)

Survey of West African religions. The development of the Black Christian Church in its visible and "invisible" institutional forms during the colonial period, and the merging of these two branches, free and slave, following the Civil War. Also the emergence of Holiness and Pentecostal sects, the impact of urban migrations on black spiritual expression, the Black Church and civil rights, gender issues, and the recent challenge of Islam.

Not available at this time

Not available at this time

This course combines instruction in research techniques in a variety of Humanistic and Social Science disciplines, and hands-on experience with those techniques, with substantive materials focusing on the long struggle of minority populations for full participation in American cultural and public life. (Gen. Ed. HS, DU)

This course combines instruction in research techniques in a variety of Humanistic and Social Science disciplines, and hands-on experience with those techniques, with substantive materials focusing on the long struggle of minority populations for full participation in American cultural and public life. (Gen. Ed. HS, DU)

This course will examine the development of Afro-American music during the twentieth century with an especial focus on links to the Harlem Renaissance and Black Arts Movement. In particular, the class will survey the variegated styles and productions of artists, including Bessie Smith, Eubie Blake, James P.