Russian Sacred Art

Offered as REL 242 and RES 242. As devotional objects, political symbols, and art commodities, Russia’s sacred art--the icon--has been revered as sacred, vilified as reactionary, embraced in rebellion, destroyed as dangerous, and sold as masterpieces. Engaging the fields of religion, material and visual culture, and ritual studies, this course examines the life and language of this art form, and its role in shaping Russia’s turbulent history.

Jesus

"Who do you say that I am"? Reportedly posed by Jesus to his disciples, this question remained no less relevant to future generations of his followers as well as their detractors, and continues to challenge views of Christianity’s Christ to this day. This course examines some of the most prominent texts, images and films that have informed understandings of Jesus over the past two millennia and have contributed to making Jesus one of the most well-known yet controversial figures in history. Open to first years. Enrollment limited to 25.

Modern Jewish Experience

A thematic survey of Jewish history and thought from the 16th century to the present, examining Jews as a minority in modern Europe and in global diaspora. We analyze changing dynamics of integration and exclusion of Jews in various societies as well as diverse forms of Jewish religion, culture and identity among Sephardic, Ashkenazic and Mizrahi Jews. Readings include major philosophic, mystical and political works in addition to primary sources on the lives of Jewish women and men, families and communities, and messianic and popular movements.

Afterlife in World Religions

How do the world’s religions picture the journey beyond death? This course examines conceptions of heaven, hell and purgatory; immortality, rebirth and resurrection; the judgement of the dead and the life of the world to come. Readings include classic and sacred texts such as The Epic of Gilgamesh, Plato’s Phaedo, the Katha Upanishad, The Tibetan Book of the Dead, Dante’s Divine Comedy and Newman’s Dream of Gerontius, and a variety of philosophical and theological reflections on the meaning of death and the hope for eternal life. Enrollment limited to 35.

Buddhist Meditation

This course will explore classical and contemporary forms of Buddhist meditation theory and practice. It will examine both classical formulations and contemporary expositions with an eye to seeing how the theory and practice of Buddhist meditation are being adapted to fit the needs of people today. Enrollment limited to 25.

Intro to the Bible I

The Hebrew scriptures (Tanakh/Old Testament). A survey of the Hebrew Bible and its historical and cultural context. Critical reading and discussion of its narrative and legal components as well as an introduction to the prophetic corpus and selections from the wisdom literature.

Colq:T-Jerusalem& Holy Land

This course will examine the religious and historical legacy of the city of Jerusalem and the Holy Land in Judaism, Christianity, and Islam. It will explore the ways Jerusalem and the Holy Land have been sanctified in scripture, art, architecture, literature, poetry, and film. It will also explore how rulers tapped into this sanctity and significance to promote their own legitimacy and agendas.

Quantitative Skills/Practice

A course continuing the development of quantitative skills and quantitative literacy begun in MTH/QSK 101. Students continue to exercise and review basic mathematical skills, to reason with quantitative information, to explore the use and power of quantitative reasoning in rhetorical argument, and to cultivate the habit of mind to use quantitative skills as part of critical thinking. Attention is given to visual literacy in reading graphs, tables and other displays of quantitative information and to cultural attitudes surrounding mathematics. Prerequisites: MTH 101/QSK 101.

Sem:Adv Poetry Writing:Capstn

Offered as PY 301 and ENG 301. Conceived as the culmination of an undergraduate poet’s work, this course features a rigorous immersion in creative generation and revision. Student poets write a chapbook manuscript with thematic and/or stylistic cohesion (rather than disparate poems, as in prior workshop settings). For Poetry Concentrators, this course counts as the required Capstone; for English majors in the Creative Writing track, the course counts as an advanced workshop, and may count toward the fulfillment of the "capstone experience" requirement.

Chapbook: Publishing

Offered as BKX 202 and PYX 202. This course focuses on various professional practice aspects of publishing, including manuscript submissions, selection, poetry craft, and literary citizenship, through Nine Syllables Press, in partnership with the Boutelle-Day Poetry Center. Students will learn about the publishing industry and contemporary US poetry landscape. Students will have the opportunity to directly participate in reading, and selecting manuscripts for a chapbook to be published by Nine Syllables Press. Preference given to Poetry and Book Studies concentrators.
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