Researching Enviromentl Probs

While focusing on topical environmental issues, students learn how to gather, analyze and present data using methods from the natural and social sciences. Data are drawn from multiple sources, including laboratory experiments, fieldwork, databases, archival sources, surveys and interviews. Emphasis is on quantitative analysis. Environmental topics vary in scale from the local to the global. Corequisite: ENV 202. Prerequisite: ENV 101. Enrollment limited to 18.

Sustainability&Soc-Eco Sys

Earth has entered a new geological epoch, the Anthropocene, characterized by the accelerating impact of human activities on the Earth’s ecosystems. All over the globe, humans have transformed the environment and have sometimes created catastrophic dynamics within social-ecological systems. Scientists have studied these phenomena for decades, alerting both the general public and policy-makers of the consequences of human actions. However, despite convincing evidence of environmental degradation, humans continue to radically transform their environment.

Sem:19 C-T-Brontes

Students work intensively in this course with the rich variety of literary works produced by Emily Brontë, Charlotte Brontë, Anne Brontë and their shadowy brother Branwell, examining also the remarkable mid-Victorian phenomenon of their household in a remote vicarage.  They were a family blighted beyond measure (all died young and in quick succession) and blessed beyond measure (two of the sisters are among England’s greatest novelists).  Their writings and artworks include explorations of the complexities of childhood, of illicit desire, of money and power,

Sem:Lit Melancholy & Madness

How do literary texts represent melancholy and madness, depression and anxiety? This seminar investigates literature’s unique capacity to describe and represent mental illness in new, creative, and unconventional ways that defy or exceed diagnostic terms. The course considers texts from the early nineteenth century through today to trace a broad literary history that both accompanies and intervenes in the history of psychology, from hysteria to PTSD.

Sem:Print Clt of African Diasp

This course explores the varied publications produced by people of the African diaspora in the U.S., Canada, the Caribbean, and England--early sermons and conversion narratives, criminal confessions, fugitive slave narratives and the black press. The class considers these works in terms of publishing history, editorship (especially women editors), authorship, readership, circulation, advertising, influence, literacy, community building, politics, and geography, and examines the engagements with such topics as religion, law economics, emigration, gender, race, and temperance.

Adv Poetry Writing:Capstn

Offered as PYX 301 and ENG 301. Conceived as the culmination of an undergraduate poet’s work, this course features a rigorous immersion in creative generation and revision. Student poets write a chapbook manuscript with thematic or stylistic cohesion (rather than disparate poems, as in prior workshop settings). For Poetry Concentrators, this course counts as the required Capstone; for English majors in the Creative Writing track, the course counts as an advanced workshop and may count toward the fulfillment of the "capstone experience" requirement.

Colq: Adv Fiction Writing

This course helps more advanced fiction writers improve their skills in a supportive workshop context, which encourages experimentation and attention to craft. The course focuses on technique, close reading, and the production of new work. Students submit manuscripts for discussion, receive feedback from peers, and revise their work. They keep a process journal and practice mindfulness to cultivate powers of focus and observation. Students read Reading Like a Writer by Francine Prose and short fiction by authors in different genres.

Colq: Modernism 1914- 1929

An exploration of the ways a number of writers (and some artists) responded to the wrenching dislocations of modernity and the First World War by seeking new forms to address a new world. Writers studied include T.S.Eliot, Ernest Hemingway, Langston Hughes, James Joyce, Mina Loy, William Carlos Williams, and Virginia Woolf. Prerequisite: One literature course.
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