Intermediate Fiction Writing

A writer’s workshop that focuses on sharpening and expanding each student’s fiction writing skills, as well as broadening and deepening their understanding of the short and long-form work. Exercises concentrate on generative writing using a range of techniques to feed one's fictional imagination. Students analyze and discuss each other's stories, and examine the writings of established authors. May be repeated. Enrollment limited to 12. Writing sample required. Instructor permission required.

Beginning Fiction

In this creative writing course, students learn the techniques and craft concepts fundamental to fiction writing. Through short generative exercises and longer prompt-driven stories, students develop their fiction-writing skills and expand their imaginative dexterity. Special emphasis is placed on the practice of “reading like a writer” via the careful analysis of diverse works of contemporary fiction. Collaborative workshops support students through the revision process. Enrollment limited to 15.

Western Classics-Translatn II

Offered as WLT 203 and ENG 203. Considers works of literature from different linguistic and cultural traditions that have had a significant influence over time. Posits that the emergence of a modern literary tradition might be understood as a sustained exploration of the relationship between fiction and reality, as tracked through major artistic movements like realism, romanticism, naturalism, expressionism, and existentialism.

English Literary Tradition I

A selection of the most engaging and influential works of literature written in England before 1800. Some of the earliest survived only by a thread in a single manuscript, many were politically or religiously embattled in their own day, and some were the first of their kind in English. Fights with monsters, dilemmas of chivalry, a storytelling pilgrimage, a Faustian pact with the devil, a taste of the forbidden fruit, epic combat over a lock of hair: these writings remain embedded in American culture and deeply woven into the texture of the English language. Enrollment limited to 20.

Methods of Literary Study

This course teaches the skills to read literature with understanding and pleasure. By studying examples from a variety of periods and places, students learn how poetry, prose fiction and drama work, how to interpret them and how to make use of interpretations by others. This course seeks to produce perceptive readers well equipped to take on complex texts. This gateway course for prospective English majors is not recommended for students simply seeking a writing intensive course. Readings in different sections vary, but all involve active discussion and frequent writing.

Methods of Literary Study

This course teaches the skills to read literature with understanding and pleasure. By studying examples from a variety of periods and places, students learn how poetry, prose fiction and drama work, how to interpret them and how to make use of interpretations by others. This course seeks to produce perceptive readers well equipped to take on complex texts. This gateway course for prospective English majors is not recommended for students simply seeking a writing intensive course. Readings in different sections vary, but all involve active discussion and frequent writing.

Journalism Principles/Practice

Offered as WRT 136 and ENG 136. In this intellectually rigorous writing class, students learn how to craft compelling "true stories" using the journalist’s tools. They research, report, write, revise, source and share their work—and, through interviewing subjects firsthand, understand how other people see the world. The course considers multiple styles and mediums of journalism, including digital storytelling. Prerequisite: One WI course. Enrollment limited to 16.

T-IntroCreatNonfict:Words&Pics

Offered as ENG 135wp and WRT 135wp. In the 20th century, as literacy rates rose, images disappeared from literature. Pictures were relegated to children’s books; only words were fit for adults. But the situation is changing. The internet and new printing technologies have allowed serious stories to again be told with words and images. This course examines creative nonfiction in graphic novels, hybrid and artist’s books, art labels, zines, digital platforms and more. Students need not be an artist to take this class!

Colq:Intro to Creative Writing

This course familiarizes students with key aspects of structure and form in poetry, fiction and creative nonfiction. Students focus in turn on such elements of creative writing as imagery, diction, figurative language, character, setting and plot. Students draft, workshop and revise three pieces of writing over the course of the semester, one each in the genres of poetry, fiction and creative nonfiction. Enrollment limited to 15.

Colq:Intro to Creative Writing

This course familiarizes students with key aspects of structure and form in poetry, fiction and creative nonfiction. Students focus in turn on such elements of creative writing as imagery, diction, figurative language, character, setting and plot. Students draft, workshop and revise three pieces of writing over the course of the semester, one each in the genres of poetry, fiction and creative nonfiction. Enrollment limited to 15.
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