Ryan John McGrady

Submitted by admin on
Primary Title:  
Senior Research Fellow
Institution:  
UMASS Amherst
Department:  
College of Info & Computer Sciences
Email Address:  
rmcgrady@umass.edu
Office Building:  
Thompson Hall

Benjamin Lambert

Submitted by admin on
Primary Title:  
University Police Officer
Institution:  
UMASS Amherst
Department:  
Police Department
Email Address:  
blambert@umass.edu

Lien Ladue

Submitted by admin on
Primary Title:  
Dietary Worker
Institution:  
UMASS Amherst
Department:  
UMass Dining - Franklin Commons
Email Address:  
lladue@umass.edu
Telephone:  
413-545-0259
Office Building:  
Berkshire Dining Commons

Pamela Duval Haskins

Submitted by admin on
Primary Title:  
Department Administrator
Institution:  
UMASS Amherst
Department:  
Art Department
Email Address:  
pam.haskins@umass.edu
Telephone:  
413-545-4399
Office Building:  
Studio Arts Building

Robert Etre

Submitted by admin on
Primary Title:  
University Police Officer
Institution:  
UMASS Amherst
Department:  
Police Department
Email Address:  
robertetre@umass.edu

Jessica Lynn Campbell

Submitted by admin on
Primary Title:  
Departmental Assistant
Institution:  
UMASS Amherst
Department:  
UMass Dining - Retail
Email Address:  
jeslcampbell@umass.edu
Telephone:  
413-577-8114
Office Building:  
Campus Center

Intro to Architecture: Design

This studio course introduces a series of design investigations around particular themes and approaches to architecture and the built environment. Students will develop visual communication and architectural design skills (sketches, plans, elevations, sections, projected drawings and model making) to tackle interdisciplinary and socially pertinent design problems.

Makerspace Design-Build Stu.

The rise of digital fabrication processes has blurred the traditional division of labor enabling architects and designers not only to draw but to also fabricate projects, often using the very same programs. Following the rise in CAD/CAM has been a burgeoning Maker movement as more and more individuals have rediscovered the joys (and sometimes frustrations) of realizing projects within a collaborative environment.

Western Art: 1400-2000

An introduction to painting, sculpture, and architecture in Europe and America from the Renaissance to the present. Classes are organized around five focused topics: Renaissance Florence; the artist in the seventeenth century; art and revolution; nineteenth-century realism and abstraction. Lectures will be complimented by class discussion.

Ways of Seeing

This course explores how artists, images, and objects have sparked revolution, defined identity, changed how people think and act, reflected and made history. We will examine moments of major change in the arts through close attention to specific themes, individuals, and works from the last seven centuries. The goal is not a fact-filled, comprehensive, strictly chronological overview, but rather an understanding of the ways in which the western visual legacy has profoundly shaped how we see the world around us.
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