Course taught in English. Re-examines Italian neo-realism and the filmmakers? project of social reconstruction after Fascism. How Italian film produces meanings and pleasures through semiotics and psychoanalysis, so as to understand the specific features of Italian cinema, its cultural politics, and the Italian contribution to filmmaking and formal aesthetics. Course taught in English. (Gen. Ed. AT)

Join the audience of students, faculty, and area community at the annual Massachusetts Multicultural Film Festival with films and directors from around the world introduced by leading scholars and filmmakers. This season's theme, "Indigeneities," is a survey of the diverse range of cinematic investigations undertaken by Indigenous filmmakers globally.

This course will explore themes of the Southern Gothic in works of Cinema and popular Televisual narratives. We will study the development of the lurid motifs of the Gothic that works affiliated with this genre often deploy to invoke a sense of horror and dread, moral corruption, and psychological abjection, all seemingly meant to assimilate the South and its citizens to the category of a degenerate and menacing otherness.

Not available at this time.

Not available at this time.

Not available at this time

Not available at this time.

Not available at this time.

Not available at this time.

This course is focused on creating written products that are discipline specific and based on original research. Students will read and analyze research papers within their fields; practice writing abstracts, various sections of research reports, and posters for presentations, as well as other products. The course will consist of tasks associated with the academic writing process, and throughout, there will be an emphasis on the conventions of academic written English, including grammatical concepts, vocabulary and highly frequent collocations.