Advanced problems in drawing, including emphasis on technique and conceptualization. The focus of this course shifts annually to reflect the technical and ideational perspective of the faculty member teaching it. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15. Prerequisite: ARS 163 and ARS 264.

Advanced problems in painting. Emphasis on thematic self direction and group critical analysis. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 12.Prerequisites: ARS 362 and permission of the instructor.

Introduction to the printmaking technique of hand-drawn lithography and photographic halftone lithography using Adobe Photoshop. May be repeated once for credit. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 12. Prerequisite: ARS 163, or permission of the instructor.

Art and money are inextricably intertwined. We’ll delve into the ramifications of this relationship in the ways art is valued in the contemporary art market and the consequences for museums, collectors, artists, and for the general public. Topics include artists’ self-fashioning for the market as well as the historical detective work it takes to reveal the practices which have fed this market of limited supply and infinite demand including looting and forgery.

Students may take up to two semesters of ARH 291 Topics in Art History, as long as the topics are different: Everyday objects have often been marginalized in art history. Until fairly recently, when these objects were under consideration—especially in histories of Europe and the United States in the eighteenth, nineteenth, and twentieth centuries—they were framed as frivolous indicators of bourgeois taste.

This course presents a global survey of architecture and urbanism since 1945, from post-World War II reconstruction and planning, through critiques of modernism, to postmodernism, deconstruction, critical regionalism and beyond. Major buildings, projects, movements and tendencies are examined in their historical, theoretical and rhetorical contexts. Group B, Counts for ARU

An analysis of the executive power in its constitutional setting and of the changing character of the executive branch.

Our planet’s reliance on carbon-based, non-renewable energy sources comes at a severe environmental, economic and political cost. Are there alternatives?This course offers a hands‑on exploration of renewable energy technologies with an emphasis on understanding the underlying scientific principles. Students will assess worldwide energy demand, study the limits to improved energy efficiency, explore the science and technology of solar, wind, and hydropower, understand the science behind global warming, investigate climate models, and evaluate strategies for a sustainable future.

In this course we will look at the practice, the history, and the future of theatre as an anti-racist activity. We will seek to define and understand the concept of anti-racism, and to look at how theatre--through performance, through structure, through training, and in other ways--can be racist or anti-racist. We will look most of all at contemporary thinking, writing, organization, and making around this topic. Learning together, we will seek to explore and imagine how theatre--in professional, educational, and other settings- -can be part of the work of anti-racism.

Same as MES 244. How could we theorize revolution from the MENA region? How might we connect older histories and vocabularies of social change to recent events in Egypt, Syria, Libya, Yemen, and Tunisia? In the first part of this course, students engage prominent theories of revolution generated within EuroAmerican and MENA contexts. Next, we consider diverse theories of social change generated within key moments in the history of the modern Middle East, from Ottoman constitution in 1876 to postcolonial revolts in Oman, Yemen, and Algeria.