This online, intermediate-level dance technique course will highlight the influences of Black artists on American contemporary dance forms.

(Offered as BLST 236 [US] and SWAG 235) From the modern era to the contemporary moment, the intersection of race, gender, and class has been especially salient for people of African descent—for men as well as for women. How might the category of sexuality act as an additional optic through which to view and reframe contemporary and historical debates concerning the construction of black identity? In what ways have traditional understandings of masculinity and femininity contributed to an understanding of African American life and culture as invariably heterosexual?

(Offered as SWAG 208, BLST 345 [US], ENGL 276, and FAMS 379) Through a close reading of texts by African American authors, we will critically examine the characterization of female protagonists, with a specific focus on how writers negotiate literary forms alongside race, gender, sexuality, and class in their work. Coupled with our explication of poems, short stories, novels, and literary criticism, we will explore the stakes of adaptation in visual culture. Students will analyze the film and television adaptations of twentieth-century fiction.

Introduction to Statistics provides a basic foundation in descriptive and inferential statistics, including constructing models from data. Students will learn to think critically about data, produce meaningful graphical and numerical summaries of data, apply basic probability models, and utilize statistical inference procedures using computational tools. Topics include basic descriptive and inferential statistics, visualization, study design, and multiple regression.

(Offered as SOCI 325 and ANTH 325) From Arab Spring and Occupy Wall Street to Black Lives Matter and the Women’s March, protests across the globe are questioning the social, political and economic status quo. This course explores the concept and practice of protest from sociological and anthropological perspectives. Why do people protest? What are their cultural and social forms? How does one understand the emotions involved? What is the role of technology? What relationships exist between the act of protest and social movements? Are protests always progressive?

(Offered as ANTH 248 and SOCI 248) This course explores the historical roots and contemporary manifestations of anti-Muslim discrimination in the United State and Europe. What, in short, accounts for the anxious fear of Islam and the ascendance of “the Muslim” as the defining racial and religious “other” of our time. The course frames Islamophobia as anti-Muslim racism, challenging the idea that Islamophobia is merely a problem of individual bias and that “knowing more” about Islam will necessarily lead to a decrease in anti-Muslim racism.

(Offered as SOCI 209, ARCH 207 and BLST 319) Defying the hopes of many for the future of democracy, cities continue to be the hotbed of racial oppression, exploitation, and injustice in the United States. In this course, we will focus on this connection and discuss the alternatives.

A course that examines the stories and novels of rebels, deviants, dissidents, loners, and losers in some of the weirdest fictions in Russian literature.

(Offered as RUSS 225 and ENGL 315) This course undertakes a sustained examination of the works of Vladimir Nabokov (1899–1977). Drawing on the literary masterpieces of Nabokov’s Russian and English periods, we seek to gain a critical appreciation of his literary art and the cultural and aesthetic contexts from which they emerged.