(Offered as HIST 370 [AS/TE] and ASLC 370) Japan, the only non-Western colonial empire to emerge during the second half of the nineteenth century, shaped itself and East Asia through imperialism. This course engages that history by paying attention to shifts in scholarly approaches to empire. We will consider, for example, how theories of imperialism and post-colonialism apply to Japan and East Asia.

(Offered as SWAG 208, BLST 345 [US], ENGL 276, and FAMS 379) Through a close reading of texts by African American authors, we will critically examine the characterization of female protagonists, with a specific focus on how writers negotiate literary forms alongside race, gender, sexuality, and class in their work. Coupled with our explication of poems, short stories, novels, and literary criticism, we will explore the stakes of adaptation in visual culture. Students will analyze the film and television adaptations of twentieth-century fiction.

From climate change to water and air pollution, environmental degradation harms some groups of people more than others. Today, communities of color in the global North are disproportionately harmed by environmental contamination. The global South writ large faces far more environmental health issues than the global North. And women face unique harms from environmental degradation across the world. Why do these disparities exist? Should everyone have equal access to the same environmental quality, and whose responsibility is it to ensure this in the United States and globally?

This course is built around core readings on key policies and agencies of environmental governance in the US. It will provide students with a strong grasp of the most important environmental legislation in the United States (such as the National Environmental Policy Act, the Endangered Species Act, the Clean Water Act, and the Clean Air Act). We will explore how existing environmental laws and institutions have provided important environmental protections, and also where they have fallen short.

(Offered as RUSS 225 and ENGL 315) This course undertakes a sustained examination of the works of Vladimir Nabokov (1899–1977). Drawing on the literary masterpieces of Nabokov’s Russian and English periods, we seek to gain a critical appreciation of his literary art and the cultural and aesthetic contexts from which they emerged.

(Offered as SWAG 208, BLST 345 [US], ENGL 276, and FAMS 379) Through a close reading of texts by African American authors, we will critically examine the characterization of female protagonists, with a specific focus on how writers negotiate literary forms alongside race, gender, sexuality, and class in their work. Coupled with our explication of poems, short stories, novels, and literary criticism, we will explore the stakes of adaptation in visual culture. Students will analyze the film and television adaptations of twentieth-century fiction.

This course develops the tools of modern microeconomic theory and notes their applications to matters of utility and demand; production functions and cost; pricing of output under perfect competition, monopoly, oligopoly, etc.; pricing of productive services; intertemporal decision-making; the economics of uncertainty; efficiency, equity, general equilibrium; externalities and public goods. A student may not receive credit for both ECON 300 and ECON 301.

Students will delve into the International Monetary Fund’s (IMF) macroeconomic programming and policy framework, which is used in the regular policy dialogue of the IMF with developing countries and in the construction of IMF-supported economic adjustment programs. Students will learn how this framework is used to (i) assess macroeconomic developments and (ii) achieve macroeconomic targets over the short-term as well as the medium term so as to correct or avoid macroeconomic imbalances.

(Offered as SWAG 208, BLST 345 [US], ENGL 276, and FAMS 379) Through a close reading of texts by African American authors, we will critically examine the characterization of female protagonists, with a specific focus on how writers negotiate literary forms alongside race, gender, sexuality, and class in their work. Coupled with our explication of poems, short stories, novels, and literary criticism, we will explore the stakes of adaptation in visual culture. Students will analyze the film and television adaptations of twentieth-century fiction.

(Offered as HIST 455 [US] and BLST 331 [US]) This course will explore the temporal, ideological and cultural dimensions of the American Civil Rights Movement. Following 1954’s Brown vs Board of Education decision, a diverse social movement of students, preachers, working people, activists and intellectuals challenged—and eventually dismantled—Jim Crow segregation in the American South. How did this happen?