(Offered as MUSI 226 and BLST 334 [US]) One of two courses that trace the development of jazz from its emergence in early 20th-century New Orleans to its profound impact on American culture. This course examines its early roots in late 19th-century American popular culture and its role as American popular music in the 1920s, '30s, and '40s.
This course examines the relationship between music, sound, and religion in a broad, comparative perspective. We will devote particular attention to the intersections of religious sounds and racialized and minoritized communities. In the context of major world religions, new religious movements, and traditional spiritual practices, we will address fundamental issues concerning sacred sound: How does music enable and enhance the ritual process? How is sound sacred and what are its effects and affects?
This is a beginner-level course designed to explore jazz harmony and improvisation from theoretical and applied standpoints. Students will study common harmonic practices, modes and scales, rhythmic practices, and the blues, and will learn the historical contexts in which these practices have developed. An end-of-semester performance of material studied during the semester will be required alongside regular individual meetings with the instructor. A one-hour ear training section will be scheduled outside of regular class meetings. Two class meetings and one ear training section per week.
Through composition, analysis, listening practice, and performance, we will build a solid working understanding of many principles of melody and harmony common in Western musical traditions. The course aims to develop comfort and dexterity in engaging with music via listening, analysis, and creative work. Assignments include harmonizing melodies, writing short melodies and accompaniments, and composing in several forms from classical minuets to Broadway-style 32-bar AABA form.
This course is intended for students with little or no background in music who would like to develop a theoretical and practical understanding of how music works. Students will be introduced to the technical details of music such as musical notation, intervals, basic harmony, meter and rhythm. Familiarity with basic music theory will enable students to read and perform at sight as well as provide an introduction to the composition of melodies with chordal accompaniment.
This course is intended for students with little or no background in music who would like to develop a theoretical and practical understanding of how music works. Students will be introduced to the technical details of music such as musical notation, intervals, basic harmony, meter and rhythm. Familiarity with basic music theory will enable students to read and perform at sight as well as provide an introduction to the composition of melodies with chordal accompaniment.
In this class we will study the history of the symphony orchestra from its origins in seventeenth-century Europe to the virtuosic ensembles found in many of the world's great cities today. At the heart of our exploration of these groups will be understanding the development of their repertoire by tracing the history of the major genres of orchestral music: symphony, overture, symphonic poem, and concerto.
(Offered as BLST 204 [A] and MUSI 105) This course focuses on twentieth-century African popular music; it examines musical genres from different parts of the continent, investigating their relationships to the historical, political and social dynamics of their respective national and regional origins. Regional examples like highlife, soukous, chimurenga, and afro-beate will be studied to assess the significance of popular music as a creative response to social and political developments in colonial and postcolonial Africa.
Fall and spring semesters. The Department.
This course is an introduction to Analytic Number Theory, a foundational subject in mathematics which dates back to the 1800s and is still a major research area today. The subject generally uses tools and techniques which are analytic in nature to solve problems primarily related to integers. Asymptotic and summation results and methods are of great significance in Analytic Number Theory. Two primary course objectives are to state and prove two major theorems: Dirichlet's Theorem on Primes in Arithmetic Progressions, and the Prime Number Theorem.
