Independent reading course.

Fall and spring semesters. The Department.

(Offered as HIST 430 [EU^P/TC], EUST 430 and SWAG 430) "Renaissance Bodies" investigates the ways in which early modern sciences and the figurative arts of the Renaissance collaborated to represent body-centered visual knowledges ranging from the "secrets of women" to scientific "monstrosities." The course also examines the ways in which Catholicism enhanced body-centered, sensual and visual forms of devotion. Discussions center on the eroticization of male, female, and queer bodies in a variety of discourses and visual rhetorics.

(Offered as SWAG 400 and POSC 407) The topic will vary from year to year. A student may take this course more than once, providing only that the topic is not the same. The current iteration of this seminar will explore the consequences of neoliberalism, cultural conservatism, Islamophobia, and anti-immigrant sentiments for women of different social and economic strata as well as women’s divergent political responses.

(Offered as SPAN 342, LLAS 343 and SWAG 343) “Wild tongues can’t be tamed, they can only be cut out,” Chicana feminist theorist Gloria Anzaldúa wrote in the hybrid text Borderlands/La Frontera. She was referring to, what she called, the linguistic imperialism of English in the US Southwest. And yet she also carved out a third space for those subjects at the crossroads of multiple ways of being – the queer and the abject.

(Offered as SWAG 336 and ANTH 336) This course introduces students to ethnographic research methods by exploring how interdisciplinary feminist scholars have engaged and challenged traditional anthropology. We will consider the dynamics of fieldwork, the ethics of research, and the production of anthropological knowledge through an engagement with the history of feminism in the discipline as well as with contemporary feminist debates. Students will design their own projects and conduct mini-ethnographies throughout the semester.

(Offered as SWAG 331 and ENGL 319) What is the novel? How do we know when a work of literature qualifies as a novel? In this course we will study the postcolonial novel which explodes the certainties of the European novel. Written in the aftermath of empire, these novels question race, class, gender and empire in their subject matter and narrative form. We will consider fiction from South Asia, the Caribbean and sub-Saharan Africa.

(Offered as SWAG 329, BLST 377 [US], and ENGL 368) History has long valorized passive, obedient, and long-suffering African American women alongside assertive male protagonists and savants. This course provides an alternative narrative to this representation by exploring the ways in which African American female characters, writers, and artists have challenged ideals of stoicism and submission. Using an interdisciplinary focus, we will critically examine transgression across time and space in diverse twentieth- and early twenty-first century literary, sonic, and visual texts.

This course is an interdisciplinary methods course designed to complement the existing SWAG core sequence. Using theories and approaches from the discipline of performance studies, the explicit mission of the seminar is to acquaint students with the study of LGBT history, politics, and culture while also strengthening student research skills in four overlapping areas: archival research, close-reading, performance analysis, and community engagement-as-activism.

(Offered as AMST-296, BLST-296 [D] and SWAG-296). This course explores the transnational politics of race, gender, sexuality, and health from interdisciplinary perspectives.

Western text-based theatre has historically hushed the voices of women and those from marginalized communities. This course will focus on examples of such voices, paying special attention to artists, writers, and thinkers who challenge and deconstruct aesthetics that privilege the male gaze. In dialogue with feminist theories of gender and identity, we will read plays and study works by women and gender non-conforming artists, such as Hildegard von Bingen, Juana Ines de la Cruz, Susan Glaspell, Adrienne Kennedy, Marina Abramovich, and Taylor Mac.