PROJECTS IN INSTALLATION I

This course introduces students to different installation strategies (e.g., working with multiples, found objects, light and site-specificity, among others). Coursework includes a series of projects, critiques, readings and a paper. A required fee of $25 to cover group-supplied materials is charged at the time of registration. Students may require additional supplies as well and are responsible for purchasing them directly. Enrollment limited to 12. Prerequisite: ARS 172, or permission of the instructor.

PAINTING I

Various spatial and pictorial concepts are investigated through the oil medium. Prerequisite: ARS 163 or permission of the instructor. A required fee of $50 to cover group-supplied materials is charged at the time of registration. Students may require additional supplies as well and are responsible for purchasing them directly. Enrollment limited to 15.

STUDIO ART FOUNDATIONS

This cross-disciplinary studio course involves two-dimensional, three-dimensional and time-based approaches. Students are introduced to a range of conceptual and practical frameworks for making and thinking about art. This course is strongly recommended for students considering the art major. By emphasizing visual thinking, risk-taking and critical reflection, this course also has relevance for other disciplines. A required fee of $25 to cover supplied materials is charged at the time of registration.

DRAWING I

An introduction to visual experience through a study of the basic elements of drawing. A required fee of $25 to cover group-supplied materials is charged at the time of registration. Students may require additional supplies as well and are responsible for purchasing them directly. Enrollment limited to 18.

DRAWING I

An introduction to visual experience through a study of the basic elements of drawing. A required fee of $25 to cover group-supplied materials is charged at the time of registration. Students may require additional supplies as well and are responsible for purchasing them directly. Enrollment limited to 18.

DRAWING I

An introduction to visual experience through a study of the basic elements of drawing. A required fee of $25 to cover group-supplied materials is charged at the time of registration. Students may require additional supplies as well and are responsible for purchasing them directly. Enrollment limited to 18.

INTRO TO DIGITAL MEDIA

An introduction to the use of digital media in the context of contemporary art practice. Students explore content development and design principles through a series of projects involving text, still image and moving image. This class involves critical discussions of studio projects in relation to contemporary art and theory. A required fee of $25 to cover group-supplied materials is charged at the time of registration. Students may require additional supplies as well and are responsible for purchasing them directly. Enrollment limited to 14.

INTRO TO DIGITAL MEDIA

An introduction to the use of digital media in the context of contemporary art practice. Students explore content development and design principles through a series of projects involving text, still image and moving image. This class involves critical discussions of studio projects in relation to contemporary art and theory. A required fee of $25 to cover group-supplied materials is charged at the time of registration. Students may require additional supplies as well and are responsible for purchasing them directly. Enrollment limited to 14.

RACE & GENDER:HIST/PHOTOGRAPHY

This course examines histories of photography from the medium’s invention around 1839 to its use by artists and non-artists today. In particular, we will focus on race, gender and representation, exploring how photography has been deployed both as a tool of oppression and of resistance. Throughout, students will be introduced to the rich theoretical literature on the medium as well as the historical circumstances of its production.

ART AND ITS HISTORIES

This course explores how art and architecture have profoundly shaped visual experiences and shifting understandings of the past and present. Featuring different case studies, each section includes work with original objects, site visits and writings about art.
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