Policy Methods

Introduction to methodologies for analyzing, implementing, and evaluating public policy. Topics include research methods, participant observation survey research and questionnaire construction, research design, measurement theory and practice, and framing categories.

Public Management

Overview of organization theory including theories of administration, motivation, budgeting, decision making, inter- organizational relationships, and ethics. Uses case studies to provide a broad range of policy areas and organizations.

ST-Introduction to GIS

The goals of this course are to teach you basic GIS concepts such as spatial data sources and structures, projections and coordinate systems, geospatial analysis, cartographic modeling, and the integration of remote sensing and GIS. By the end of the course, students will be proficient in ESRI ArcGIS software.

Food as Communication

This course examines the ways food is made meaningful through discourse and performance. While the need for food to satisfy hunger and strengthen the body is universally understood, what counts as food, its relative abundance or scarcity, and its relationship to the body, identity and culture are socially created and highly symbolic. Still, for most people what we eat and why we choose to eat it seems common sense. Meanings attached to what is edible or inedible, good or bad, nutritional or unhealthy, gourmet or junk food are highly subjective and deeply cultural.

Prblms in Ital Art-Late Ren

This course examines Renaissance notions of the self in relation to the genre of portraiture. We will begin by studying theories of Renaissance subjectivity, as well as the rise of the portrait in fifteenth-century Italy. The bulk of the course will focus on the first half of the sixteenth century?after Mona Lisa (c. 1505)?a period of great creativity and expansion in the genre. Artists include Leonardo, Raphael, Titian, Lotto, Parmigianino, and Bronzino. Student research projects may address the concept of portraiture outside art history and/or outside the Renaissance period.

Chinese Painting

The concept of landscape, or "mountains and waters" (shanshui), was a central preoccupation for Chinese artists, viewers, and collectors. Focusing primarily on the ninth to the eighteenth centuries, this course surveys historical changes in representations of nature through paintings produced for tombs, the imperial court, scholars, and merchants, but also through the decorative arts, private gardens, and imperial grounds. We think about what it meant to make paintings but also what it meant to view paintings.

Chinese Painting

The concept of landscape, or "mountains and waters" (shanshui), was a central preoccupation for Chinese artists, viewers, and collectors. Focusing primarily the ninth to the eighteenth centuries, this course surveys historical changes in representations of nature through paintings produced for tombs, the imperial court, scholars, and merchants, but also through the decorative arts, private gardens, and imperial grounds.
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