Over the past three decades, the new field of Environmental Humanities has become a widely recognized area of research and cultural engagement. Bringing together insights and approaches from fields as diverse as history, philosophy, religious studies, anthropology, literature, gender studies, the performing and visual arts, cultural studies, and communication studies, practitioners of the Environmental Humanities have been exploring new ways to understand, evaluate, and address planetary ecological crises and sustainability issues.

(Offered as HIST 105 and ENST 105) This course examines the environmental history of the world since 1900 with a particular focus on Latin America, Sub-Saharan Africa, and China. We will use books, articles, four films, and a range of online media to illuminate the comparative and interdisciplinary possibilities of global environmental history. In addition to studying the past, we will explore how to use historical knowledge in the formulation of policy recommendations and grassroots initiatives for addressing contemporary environmental issues. Two class meetings per week.

At its core, a visual poem is a radical collaboration between visual and textual methods that experiments with the open field of the page to generate lyric potential. This advanced poetry workshop will focus on this emerging tradition of radical visual-textual hybrid artmaking, centering writerly process over final product, and potentiality-driven experiments with the space of the page.

(Offered as ARHA 273 and FAMS 335) This intermediate production course surveys the outer limits of cinematic expression and provides an overview of creative 16mm film production. We will begin by making cameraless projects through drawing, painting and scratching directly onto the film strip before further exploring the fundamentals of 16mm technology, including cameras, editing and hand-processing. While remaining aware of our creative choices, we will invite chance into our process and risk failure, as every experiment inevitably must.

An introduction to the fundamentals of the pictorial organization of painting. Form, space, color, and pattern, abstracted from nature, are explored through the discipline of drawing by means of paint manipulation. Slide lectures, demonstrations, individual and group critiques are regular components of the studio sessions. Two three-hour meetings per week.

Fall semester. Requisite: ARHA 102 or 111 or consent of the instructor. Limited to 12 students. Fall 2025: Senior Resident Artist Gloman.

How to handle overenrollment: Preference to ARHA majors, then to seniors

This course will look at globalization through the lens of border culture, a term that refers to the "deterritorialized" experience of people when they move or are displaced from their context or place of origin. How are people’s experience of belonging and understanding of identity affected by borders within the realms of language, gender, ideology, race, and genres of cultural production as well as geopolitical locations? What does it mean to live between two cultures—an experience that in 2019 might well represent the nature of contemporary life?

(Offered as PSYC 224, AAPI 224, AMST, 223, and EDST 224) This highly interactive course brings together students to examine the roles race and other intersecting identities play in their lives. Coursework includes an interdisciplinary blend of scholarly readings, in-class dialogue, experiential learning activities, reflective writing, and an intergroup collaborative research project. Students in this course bring their own experiences with race into the classroom as a legitimate and valued source for learning.