Changing treatment of central themes, issues, and problems in art history. Topics change; offerings usually available in Modern and Islamic. List of current offerings available in Art History Office, 317B Bartlett. Prerequisite: upper-level survey course on theme to be examined, or consent of instructor.

Course description not available at this time.

Course description not available at this time.

Chronological survey organized by city rather than artist to provide a stronger sense of the social context in which works of art were produced. How city-states develop distinctive artistic styles, and how different govenmental systems favored various forms of patronage. Cities include: Naples, Rome, Siena, Florence, Milan, Mantua, Ferrara, Padua, Urbino, and Venice. Central themes: the revival of interest in classical antiquity and the development of the mathematical system of one-point perspective. (Planned for Fall)

The development of architecture, sculpture, painting, and the minor arts from 1050 to 1400 in France, England, and Italy. The society in which these art forms developed; the relationship of the monuments to contemporary political, social, intellectual, and literary trends. Prerequisite: ART-HIST 100 or consent of instructor. (Planned for Spring)

Course description not available at this time.

Course description not available at this time.

Course description not available at this time.

Changing treatment of central themes, issues, and problems in art history. Topics change; offerings usually available in Modern and Islamic. List of current offerings available in Art History Office, 317B Bartlett. Prerequisite: upper-level survey course on theme to be examined, or consent of instructor.

This course will ask how African American writers sustain and manipulate a culturally specific literary tradition at various historical moments, ranging from the Colonial period to the post-Civil Rights era.