(Offered as ARHA 117 and FAMS 222) This introductory course is designed for students with no prior experience in video production. The aim is both technical and creative. We will begin with the literal foundation of the moving image—the frame—before moving through shot and scene construction, lighting, sound-image concepts, and final edit. In addition to instruction in production equipment and facilities, the course will also explore cinematic form and structure through weekly readings, screenings and discussion.

(Offered as ARHA 117 and FAMS 222) This introductory course is designed for students with no prior experience in video production. The aim is both technical and creative. We will begin with the literal foundation of the moving image—the frame—before moving through shot and scene construction, lighting, sound-image concepts, and final edit. In addition to instruction in production equipment and facilities, the course will also explore cinematic form and structure through weekly readings, screenings and discussion.

(Offered as ARHA 106 and FAMS 311) Introduction to computer programming for studio artists. In this course, students will explore the qualities intrinsic to artistic expression with computers. By writing code to generate text and graphics, students explore such concepts as nonlinearity, indeterminacy, glitch, and emergence. Accompanying critical discussion will consider key practitioners in the field. Through progressive weekly projects, students will gain a foundation for working with code in art. Designed for students with little to no programming experience. 

(Offered as ARCH 301 and ARHA 301) This course is for students who want to create an advanced, rigorous, and in-depth design project—taking an independent design project through various iterations from conception to research and realization. The class will provide a framework for working through design-centered Architectural Studies thesis and capstone projects, as well as an opportunity for other design students to develop their own project and distinct voice. Students will present their work and receive feedback on their concepts, design and presentation skills.

(Offered as ARCH 205 and ARHA 205) This theory seminar aims to provide students with a strong basis for a deep engagement with the practice of sustainability in architectural design. The studied material covers both canonical literature on green design and social science-based critical theory. We start by exploring the key tenets of the sustainable design discourse, and how these tenets materialize in practice. Then, we examine sustainable design in relation to issues such as inequality and marginality.

(Offered as ARCH 204, ARHA 204, and LLAS 204) This course studies the theory, policy, and practice of low-income housing in marginalized communities worldwide. We study central concepts in housing theory, key issues regarding low-income housing, different approaches to address these issues, and political debates around housing access for the people in greatest need. We use a comparative focus, going back and forth between the cases of the United States and the so-called developing world, with an emphasis on Latin America .

(Offered as ARCH 204, ARHA 204, and LLAS 204) This course studies the theory, policy, and practice of low-income housing in marginalized communities worldwide. We study central concepts in housing theory, key issues regarding low-income housing, different approaches to address these issues, and political debates around housing access for the people in greatest need. We use a comparative focus, going back and forth between the cases of the United States and the so-called developing world, with an emphasis on Latin America .

This course is designed to provide American Studies majors, as well as other interdisciplinary majors, with a methodological grounding to conduct interdisciplinary research. Students will have the opportunity to conduct research on a topic of their own choosing and develop a research prospectus.

(Offered as AMST-328, EDST-328, and HIST-328 [US/TR/TS])  Children’s literature has a diversity problem. A 2018 study by the Cooperative Children’s Book Center at the University of Wisconsin-Madison found that of more than 3000 children’s books published that year, roughly 50% featured main characters who were White. Only 10% featured Black characters, 7% featured Asian / Pacific Islander characters, and 5% featured Latinx characters.

(Offered as AMST-328, EDST-328, and HIST-328 [US/TR/TS])  Children’s literature has a diversity problem. A 2018 study by the Cooperative Children’s Book Center at the University of Wisconsin-Madison found that of more than 3000 children’s books published that year, roughly 50% featured main characters who were White. Only 10% featured Black characters, 7% featured Asian / Pacific Islander characters, and 5% featured Latinx characters.