Theatre Production

Same description as THE 200. Use this section as the second credit in the same semester. There is one general meeting. Attendance is mandatory; attendance at weekly production meetings for some assignments may be required. S/U only.

Theatre Production

This is a studio course which gives one credit for participation in a Theatre Department production. Most positions are designed for people with no previous experience. Offerings within the course cover all areas of theatre production, on stage and off, including positions as stage crew, light and sound board operators, dressers, stage managers, design assistants, box office assistants, props charges, electricians or actors. There is one general meeting at the beginning of the semester. Attendance is mandatory. Attendance at weekly production meetings may be required for some assignments.

Theat Hst & Cul:Anc Gre-Restor

This course surveys the history of theatre, drama and performance from Ancient Greece to the 18th century. The focus is on the theatres of Europe and Asia and their relationship to their respective cultures. Lectures and discussions are complemented by video screenings of productions of some of the plays under consideration.

Readng Dress:Archivl Clothing

How does one “read” clothing? How accurate is the interpretation? What clues does one miss or misread, especially in dress from an era unfamiliar to them? What information can one look for to “explain” the significance or meaning of the garment? This course is an introduction to a methodology for the study of dress as material culture, examining physical structure, terminology, technology of production, and some of the historical, social and cultural variables shaping, and shaped by, these objects. It is a class using objects from the Smith College Historic Clothing Collection.

Acting I

Introduction to physical, vocal and interpretative aspects of performance, with emphasis on creativity, concentration and depth of expression. Enrollment limited to 14.

Acting I

Introduction to physical, vocal and interpretative aspects of performance, with emphasis on creativity, concentration and depth of expression. Enrollment limited to 14.

Acting I

Introduction to physical, vocal and interpretative aspects of performance, with emphasis on creativity, concentration and depth of expression. Enrollment limited to 14.

Art of Theatre Design

The course is designed to explore the nature of design in theatre and the visual arts. Students study the elements of set, costume, lighting and sound design while looking at the work of some of the most influential designers, past and present. Especially designed for those with a limited background in theatre, it involves discussions about assigned plays and projects, as appropriate to the topic. It is open to all students but particularly recommended for first-year students and sophomores. Enrollment limited to 16.

Sem:Feminist Ways of Knowing

This course explores feminist learning as an endless movement by centering the praxis, politics and poetics of collective knowledge production. How do one know what one knows? Who and what are served by that knowledge? How might a commitment to anti-coloniality and justice push one to imagine, make and move differently in relation to structures of violence that one seeks to transform?

Sem:T-Love,Rest,Resistance

This course turns to disability justice, Black feminist, feminist-of-color and Marxist feminist thought in order to explore the revolutionary potential of care, love and rest. Additionally, the course examines the complications and contradictions of care work under U.S. racial capitalism. Rather than viewing practices of love and care as a sideline to activist movement work, the course takes these practices seriously by engaging a range of texts from the late 20th and 21st centuries.
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