(Offered as SPAN 380, ARHA 380 and LLAS 380) The class will explore the work of artists, art collectives, and community-based projects in Latin America and the U.S. from the 1960s onwards. We will look at how cultural agents “make worlds” to resist, denounce, and transform lives at war. Students will actively participate in both research and creative projects. We will focus on works from Colombia, Mexico, Cuba, Argentina, Chile, and the U.S. Course conducted in Spanish.

Requisite: SPAN 301 or consent of the instructor. Fall semester. Visiting Professor Ferrari.

(Offered as SPAN 380, ARHA 380 and LLAS 380) The class will explore the work of artists, art collectives, and community-based projects in Latin America and the U.S. from the 1960s onwards. We will look at how cultural agents “make worlds” to resist, denounce, and transform lives at war. Students will actively participate in both research and creative projects. We will focus on works from Colombia, Mexico, Cuba, Argentina, Chile, and the U.S. Course conducted in Spanish.

Requisite: SPAN 301 or consent of the instructor. Fall semester. Visiting Professor Ferrari.

(Offered as ARHA 335 and FAMS 335) This intermediate production course surveys the outer limits of cinematic expression and provides an overview of creative 16mm film production. We will begin by making cameraless projects through drawing, painting and scratching directly onto the film strip before further exploring the fundamentals of 16mm technology, including cameras, editing and hand-processing. While remaining aware of our creative choices, we will invite chance into our process and risk failure, as every experiment inevitably must.

(Offered as ARHA 285, CLAS 285, EUST 285) From its legendary origins in the eighth century BCE, through its political framing as a republic, to its global dominion as an empire and its subsequent Renaissance revival as the center of a Christian empire, Rome was a seat of unmistakable political and cultural power. Its art and architecture, the literature and oratory of its leaders, its devotion to protective deities, and its styles of governance became the model for countless nations who sought to imitate, adopt and surpass Rome’s authority.

(Offered as ARHA 285, CLAS 285, EUST 285) From its legendary origins in the eighth century BCE, through its political framing as a republic, to its global dominion as an empire and its subsequent Renaissance revival as the center of a Christian empire, Rome was a seat of unmistakable political and cultural power. Its art and architecture, the literature and oratory of its leaders, its devotion to protective deities, and its styles of governance became the model for countless nations who sought to imitate, adopt and surpass Rome’s authority.

(Offered as ARHA 280 and ASLC 280) Over recent decades, museums have made their collections increasingly accessible online. Curators, in turn, have expanded the limits of museum display and interpretation through experimentation with online exhibitions, onsite digital presentations, 3-D holographic projections, interactive mapping and storytelling, and network graphing. Others have made use of these and other digital tools for their own research, including to track the dispersal of looted and illegally exported objects. But what are the ramifications of this turn towards the digital?

(Offered as ARHA 278 and FAMS 311) Introduction to computer programming for studio artists. By writing code to generate text and graphics, students will explore the qualities intrinsic to artistic expression with computers such as nonlinearity, indeterminacy, glitch, and emergence. Accompanying critical discussion will consider key practitioners in the field. Through progressive weekly projects, students will gain a foundation for working with code in art. Designed for students with little to no programming experience.

Limited to 12 students. Fall semester. Professor House.

(Offered as ARHA 147 and ASLC 143) An introduction to the history of Chinese art from its beginnings in neolithic times until the end of the twentieth century. Topics will include the ritual bronze vessels of the Shang and Zhou dynasties, the Chinese transformation of the Buddha image, imperial patronage of painting during the Song dynasty and the development of the literati tradition of painting and calligraphy. Particular weight will be given to understanding the cultural context of Chinese art.

Fall semester. Professor Morse.

How to handle overenrollment: null

(Offered as ARCH 369 and EUST 369) This research seminar will explore conceptions of time as they have informed and influenced thought and creativity in the fields of cultural studies, literature, architecture, urban studies, philosophy, neuroscience, performance, and the visual, electronic, and time-based arts.

(Offered as ARHA 306, ARCH 306, BLST 306, EUST 305) This upper-level seminar will teach students how to conduct research on race and racism in the field of architectural studies. Throughout the semester, we will visit Amherst College Special Collections as well as several local archives to explore the letters, photographs, drawings, and ground plans that relate to the architecture of race, racism, and social change in the region. Then, we will visit the buildings and spaces that these records address.