Music, Totalitarianism
In 1936 the official Soviet newspaper Pravda denounced Dmitri Shostakovich’s latest opera as “muddle instead of music.” In 1942 the Party used his “Leningrad” Symphony as propaganda in the Soviet Union’s war against Nazi Germany. Shostakovich’s career demonstrates both the unlimited government support and the unlimited control totalitarian states exercise over their artists. This course explores musical life under totalitarian regimes: the Soviet Union, Nazi Germany, the GDR, Socialist Hungary, China at the time of the Cultural Revolution, and North Korea.