(Offered as HIST 171 [AS/TC/TE/P] and ASLC 171.)

This course surveys the literary and cultural milestones in late 19th-century to 21st-century China. We will explore a wide range of works from mainland China and the Sinophone world, including critically acclaimed films and theatrical productions. The course highlights the capacity of literature as a form of historical engagement and a vehicle for ethical reasoning as modern Chinese intellectuals braved a violent and perplexing age. Furthermore, it unpacks the multivalence of Chinese literary modernity as well as that of the very term “China.” All readings are in English.

(Offered as RELI 143 and ASLC 143) This course explores central ideas and practices in the religious and intellectual traditions of India up until the medieval period. We consider the range of available archeological, art historical, and textual evidence for religion in this period, though the course focuses mostly on texts. We will read the classic religious and philosophical literature of the traditions we now call Hinduism, Buddhism, and Jainism. 

Fall semester. Professor M. Heim 

How to handle overenrollment: null

Preparation of a thesis or completion of a studio project which may be submitted to the Department for consideration for Honors.

Open to seniors with consent of the Department. Fall semester. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: Not applicable

Independent reading course.  A full course.

Fall and spring semesters. The Department.

How to handle overenrollment: null

Students who enroll in this course will likely encounter and be expected to engage in the following intellectual skills, modes of learning, and assessment: Not applicable.

(Offered as ARHA 441 and FAMS 441) Intended for advanced film/video production students, this course will explore creative documentary practice through readings, weekly screenings and production assignments. Each student will complete a series of projects working both as a single maker and in collaboration with other members of the class. Topics may include: shooting the interview; scripting, performance and reenactment; history and narrativity; place and space; ethnography and the “embedded” filmmaker.

(Offered as ARHA 385, EUST 385, and SWAG 310) Our course will explore how evil was imagined, over cultures, centuries and disciplines. With the greatest possible historical and cultural specificity, we will investigate an array of monstrous creatures and plagues -- their terrifying powers, the explanations for why they came to be, and the strategies for how they could be purged -- as we attempt to articulate the kindred qualities they shared.

(Offered as SPAN 380, ARHA 380 and LLAS 380) The class will explore the work of artists, art collectives, and community-based projects in Latin America and the U.S. from the 1960s onwards. We will look at how cultural agents “make worlds” to resist, denounce, and transform lives at war. Students will actively participate in both research and creative projects. We will focus on works from Colombia, Mexico, Cuba, Argentina, Chile, and the U.S. Course conducted in Spanish.

Requisite: SPAN 301 or consent of the instructor. Fall semester. Visiting Professor Ferrari.

(Offered as ARHA 335 and FAMS 335) This intermediate production course surveys the outer limits of cinematic expression and provides an overview of creative 16mm film production. We will begin by making cameraless projects through drawing, painting and scratching directly onto the film strip before further exploring the fundamentals of 16mm technology, including cameras, editing and hand-processing. While remaining aware of our creative choices, we will invite chance into our process and risk failure, as every experiment inevitably must.

A studio course that will emphasize compositional development by working from memory, imagination, literature and abstractions derived from nature and other works of visual art. The Students will be encouraged to explore a wide variety of media including, but not limited to, drawing, painting, printmaking, sculpture and collage. Students will be required to create an independent body of work over the course of the semester which explores their individual direction in pictorial construction.