This course examines the material culture of everyday life in New England from the earliest colonial settlements to the Victorian era. It introduces students to the growing body of material culture studies and the ways in which historic landscapes, architecture, furniture, textiles, metalwork, ceramics, foodways and domestic environments are interpreted as cultural documents and as historical evidence.

This course places the “Culture Wars” – U.S. political battles waged over issues such as race, gender,
sexuality, the family, abortion, education, guns, climate change and even the “non-partisan” COVID-19
pandemic – into the context of recent U.S. history. The goal of the course is to invite students to think
critically about the workings of the Culture Wars within America’s democratic political system and
about the impact of the Culture Wars on the broader sweep of life in the U.S. The course pays particular

A seventeenth-century engraving imagines an encounter between two men wearing feathers and holding onto the same string of shells: depending on your perspective, this image looks like a scene of trade or one of theft at knife-point. In understanding moments from the past, representation and perspective shape not just interpretation, but sources themselves. Seeing moments as both trade and theft opens them to tellings and analyses from multiple perspectives, exposing overlooked elements and revealing the ways in which histories are made.

It is often noted in mainstream news media that Indigenous peoples are “on the front lines” of the climate crisis, while providing little explanation as to why this is. Narratives of inherent Indigenous vulnerability obscure the ways in which Indigenous communities have mobilized to navigate environmental change, not only in the face of contemporary global warming, but historically, as settler colonial incursions radically transformed landscapes and constrained Indigenous knowledge practices that have provided tools for adaptation for thousands of years.

This course is designed to introduce students to the interdisciplinary field of Native American and Indigenous Studies. This course looks at the diverse histories of Indigenous nations across North America, as well as histories of shared experiences with ongoing colonialism, legacies of resistance and connections to place. The class focuses on Indigenous perspectives, intellectual traditions and critical interventions across time through the work of historians, anthropologists, philosophers, literary scholars, Indigenous knowledge keepers, poets, writers and activists.

This course uses popular culture as a tool to analyze gender and sexuality in Africa. It discusses relevant issues in gender and sexuality across the continent, using selected African songs and movies, which feature these issues as centralized themes. It also examines the lived experiences of African actors, musicians and artistes, both historical and modern, as a means of discussing social norms on gender and sexuality and their subversion. Enrollment limited to 18. (E)