S-Experimental Film and Video

This course explores the genre of Experimental Film and Video with a critical eye toward the history and current articulations of this form of production in both feature film and short form movies and videos. The course begins with an introduction to the genre, then explores Experimental Film; video according to three different categories: Experimentation with Narrative, Experimentation with Structure/Form, and Experimentation with the line between Fact and Fiction.

S-Introduction to Semiotics

Semiotics is the study of meaning within society. It deepens our understanding of culture, communication and philosophy, and provides us with a theoretical and practical framework for analyzing the world. The course will introduce and develop the semiotic approach, using literature, politics, film, TV, music, and our everyday surroundings and conversations.

Adv Documentary Production

This course is a workshop-style class in digital film production, in which we will take a deep dive into advanced techniques and aesthetics of cinematography, lighting, sound recording and editing. Through hands-on exercises and production of two short films, students will develop a solid practice in the technical skills needed to create visually and aurally compelling moving images and sound. Students will learn how to manage and organize large amounts of raw footage, edit sequences and create engaging story structures using Adobe Premiere.

Film Documentary

We will view, analyze, and discuss films from the recent past and present from a filmmaker?s perspective, along with some limited hands-on work in pre-production techniques. Students will view, analyze, and critique works from modern documentary masters such as Betsy West & Julie Cohen ("RBG"), Michael Moore ("Where to Invade Next"), Questlove ("Summer of Soul"), Robert Kenner ("Food Inc."), and others to further their understanding of the documentarian's art and craft.

Film Documentary

We will view, analyze, and discuss films from the recent past and present from a filmmaker?s perspective, along with some limited hands-on work in pre-production techniques. Students will view, analyze, and critique works from modern documentary masters such as Betsy West & Julie Cohen ("RBG"), Michael Moore ("Where to Invade Next"), Questlove ("Summer of Soul"), Robert Kenner ("Food Inc."), and others to further their understanding of the documentarian's art and craft.

Screenwriting

An examination of the art, craft, and business of screenwriting from theoretical and practical perspectives. Topics include screenplay format and structure, story, plot and character development, dialog and scene description, visual storytelling, pace and rhythm, analysis of professional and student scripts and films.

Film Styles & Genres

Why do we put certain films into categories? What constitutes a film genre, how do we recognize it, and what do we do with it? This course examines these questions and more by considering a specific genre over the course of the semester. We will learn to think of genre as a way of comparing and contrasting different films. Genre will also be thought of as a way of creating expectations and measuring experience and meaning. The power of film genre is that it allows us to understand film as a text and film as a social practice at the very same time.

Film Styles & Genres

Why do we put certain films into categories? What constitutes a film genre, how do we recognize it, and what do we do with it? This course examines these questions and more by considering a specific genre over the course of the semester. We will learn to think of genre as a way of comparing and contrasting different films. Genre will also be thought of as a way of creating expectations and measuring experience and meaning. The power of film genre is that it allows us to understand film as a text and film as a social practice at the very same time.
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