Application of financial models in the business environment. The use of computer-based spreadsheet and simulation packages in business analysis.

Application of financial models in the business environment. The use of computer-based spreadsheet and simulation packages in business analysis.

Application of financial models in the business environment. The use of computer-based spreadsheet and simulation packages in business analysis.

The time value of money; valuation of financial securities; allocating capital; an introduction to risk and risky decision making; the financing decision of the firm; financial statement and working capital management; more special topics include mergers and acquisitions, and international finance. Prerequisite: ACCOUNTG 221

The time value of money; valuation of financial securities; allocating capital; an introduction to risk and risky decision making; the financing decision of the firm; financial statement and working capital management; more special topics include mergers and acquisitions, and international finance. Prerequisite: ACCOUNTG 221

Not available at this time

Not available at this time.

A survey of film and media studies texts of Marxist, neo- and post-Marxist inspiration: the writings of SM Eisenstein, Walter Benjamin, Bertolt Brecht, the Frankfurt School (esp. Theodor Adorno, Max Horkheimer), Ernst Bloch, Roland Barthes, Raymond Williams, Fredric Jameson, Jacques Ranciere, Paul Coates, Lynn Spigel, John MacKay, Michael Cramer. Films under scrutiny will include early Soviet cinema, classical Hollywood genre films (High Noon and Johnny Guitar), European New Wave films (from France, Poland, the Soviet Union), New Hollywood popular fare (e.g.

This seminar will examine the cultural phenomenon of the "art film" during the first three decades of the postwar period (1950s, 60s, 70s). The nature and characteristics of, as well as the relationships connecting and distinguishing, modernist cinema, art cinema, and avant-garde film during this vital period in film history will be one of the course's concerns. We will examine the notion of the auteur and consider its usefulness for thinking about this multiform, innovative cinema.