In this seminar, students look at films that make a deliberate and often caricatural use of stereotypes in order to make a statement, whether it is to provoke, examine, question, or simply illustrate some aspects of French culture or national consciousness. The stereotypes students consider include cinematic genres (comedies), as well as themes or topics (tradition versus modernity, ‘Frenchness’, racial and class differences). In doing so, students pay particular attention to the way these stereotypes are staged, what their modes of inquiry are, and what conversations, if any, they promote.

Offered as FRN 299, ITL 299, POR 299 and SPN 299. The course explores the issues in world language instruction and research that are essential to the teaching of Romance languages. Special focus will be on understanding local, national and international multilingual communities as well as theories, methods, bilingualism and heritage language studies. Topics include the history of Romance languages, how to teach grammar and vocabulary, the role of instructors and feedback techniques.

An introduction to the main cultural and literary currents that shaped Medieval France, a period whose values and concept of "literature" were dramatically different from our own. We focus on the rise of courtliness and the invention of romantic love, the legend of King Arthur and the transmission of Celtic themes, adultery and madness, magic and the chivalric quest, and the ribald humour of the fabliaux.

Through texts by authors from Louis XIV to Colette, we discuss questions about literary uses of landscape: Why do we flee or search for a landscape? What makes us cherish or fear a particular place? What do landscapes tell us that the narrator or characters cannot or will not tell? Other authors may include Rousseau, Victor Hugo, Chateaubriand, Maupassant, Apollinaire, Robbe-Grillet and James Sacré. Basis for the major. Students may receive credit for only one section of FRN 230. Prerequisite: FRN 220. Enrollment limited to 18.

In this course, students study fiction, memoir, slam poetry and hip-hop authored by residents of France’s multi-ethnic suburbs and housing projects, also known as the "banlieues" and "cités". We examine the question of whether "banlieue" authors can escape various pressures: to become native informants; to write realistic rather than fantastical novels; to leave the “ghetto”; to denounce the sometimes difficult traditions, religions, neighborhoods and family members that have challenged but also molded them.

Review of communicative skills through writing and class discussion. Materials include two movies, a comic book and two novels. Prerequisite: three years of high school French, FRN 103, FRN 120 or equivalent. Students completing the course normally enter FRN 230. Enrollment limited to 18.

Review of communicative skills through writing and class discussion. Materials include two movies, a comic book and two novels. Prerequisite: three years of high school French, FRN 103, FRN 120 or equivalent. Students completing the course normally enter FRN 230. Enrollment limited to 18.

Review of communicative skills through writing and class discussion. Materials include two movies, a comic book and two novels. Prerequisite: three years of high school French, FRN 103, FRN 120 or equivalent. Students completing the course normally enter FRN 230. Enrollment limited to 18.

An intermediate language course designed for students with two or three years of high school French. Its main objective is to develop cultural awareness and the ability to speak and write in French through exposure to a variety of media (literary texts, newspaper articles, ads, clips, films, videos). Students completing the course normally enter FRN 220. Enrollment limited to 18.