(Offered as ARHA 180 and AMST 211) This course will examine works of art created by Native American artists, including painting, sculpture, photography, and performance and installation art, from the late nineteenth century to today.  Students will study important movements and consider individual artists who worked primarily as painters, including the Iroquois realists of the late nineteenth century; the Studio School of Southwestern artists, printmakers, and illustrators; the Kiowa Six and their important role in creating modern Native American murals; abstract expressionists like Ka

Asians and Pacific Islanders are increasingly visible in the realm of American competitive sports. These athletes are often noteworthy to Americans because they seem anomalous. In this course, we will consider the histories from which these athletes emerge, of sports diffusion across the Pacific Zone, to enrich understanding of the larger history of American sports and API history and identity.

(Offered as AMST 200, EDST 200, and SOCI 200) Disproportionate numbers of students of color drop out or disengage from schools in America each year. Responding to the framework of “drop out,” critical educational scholars have argued that many school practices, policies, and cultures “push out” already marginalized students, or at the very least, do not take sufficient steps to create an inclusive culture that supports all students’ participation and sense of belonging.

(Offered as AMST 115 and SOCI 215) The course is an interdisciplinary, historically organized study of American perceptions of and attitudes towards the human body in a variety of media, ranging from medical and legal documents to poetry and novels, the visual arts, film, and dance.

(Offered as AMST 115 and SOCI 215) The course is an interdisciplinary, historically organized study of American perceptions of and attitudes towards the human body in a variety of media, ranging from medical and legal documents to poetry and novels, the visual arts, film, and dance.