This course offers an introduction to African film as an aesthetic and cultural practice. Students should expect to be familiarized with the key ideas and objectives that have inspired and driven that practice since the early 1960s, and be furnished with the technical tools and methodological skills that would permit them to understand, analyze, and think critically about the artistic and thematic aspects of the films that are screened.

Course taught in English. Re-examines Italian neo-realism and the filmmakers? project of social reconstruction after Fascism. How Italian film produces meanings and pleasures through semiotics and psychoanalysis, so as to understand the specific features of Italian cinema, its cultural politics, and the Italian contribution to filmmaking and formal aesthetics. Course taught in English. (Gen. Ed. AT)

Join the audience of students, faculty, and area community at the annual Massachusetts Multicultural Film Festival with films and directors from around the world introduced by leading scholars and filmmakers. This season's theme, "Indigeneities," is a survey of the diverse range of cinematic investigations undertaken by Indigenous filmmakers globally.

This course will explore themes of the Southern Gothic in works of Cinema and popular Televisual narratives. We will study the development of the lurid motifs of the Gothic that works affiliated with this genre often deploy to invoke a sense of horror and dread, moral corruption, and psychological abjection, all seemingly meant to assimilate the South and its citizens to the category of a degenerate and menacing otherness.

Not available at this time.

Not available at this time.

Not available at this time

Not available at this time.

Not available at this time.

Not available at this time.