Exploring the Cosmos
An introduction to the cosmos, with an emphasis on modern theories and observations. We'll discuss the nature and evolution of stars, our Milky Way Galaxy, external galaxies, black holes, and the origin and fate of the universe itself. The emphasis will be on conceptual, as contrasted with mathematical, comprehension, making this an excellent opportunity for non-science majors. Two 80-minute sessions per week.
Not open to upper-division students majoring in the physical sciences. Fall semester. Professor Haggard.
Afro-Am Literature of 1930's
An intensive look at the literature of African Americans between the Harlem Renaissance and the emergence of Richard Wright and his naturalistic vision. The historical context, the continuing influence of the Harlem Renaissance, other art of the period, the influence of the political climate on the poetry and prose of representative African American writers of the 1930s, and the directions for African American literature of the 1940s mapped out in the 1930s. (Gen.Ed. AL, U)
S-Neurobiology of Sensation
The principles of sensory processing form the foundation of our ability to experience the world around us. This course will discuss important concepts in sensory neuroscience including sensory detection, discrimination, coding, development, integration, and pathology. Topics will be explored from diverse perspectives including genetic, cellular, circuit, and behavioral approaches. Original papers; student presentations; discussions of primary research.
Films That Try
(Offered as ARHA 444 and FAMS 444) Essay filmmaking is a dynamic form with many commonly cited attributes—the presence of an authorial voice, an emphasis on broad themes, an eclectic approach to genre, and the tendency to digress or draw unexpected connections. Yet, true to its nature, the precise definition of the essay film is in constant flux. It can be both personal and political, individual and collective, noble and mischievous. Essay filmmakers themselves are equally diverse, ranging from established film auteurs to Third Cinema activists and contemporary video artists.
Moving Image Production
(Offered as ARHA 221 and FAMS 221) This introductory course is designed for students with no prior experience in moving image production. The aim is both technical and creative. We will begin with the literal foundation of the moving image--the frame--before moving through shot and scene construction, lighting, sound-image concepts and final edit. In addition to instruction in production equipment and facilities, the course will also explore cinematic form and structure through weekly readings, screenings and discussion.