Cinema can both explore and enact the nature and operations of the human mind. It can imagine and present the possibilities of the mind, and it enables us to visualize many of the mysteries of the mind. This relationship between cinema and the mind is the subject and focus of this course.

We will view, analyze, and discuss films by modern documentary masters such as Michael Moore ("Sicko"), Chris Paine, ("Revenge of the Electric Car"), Seth Gordon ("The King of Kong - A Fistful of Quarters"), Pamela Yates ("Granito") and many others to further the understanding of the documentary craft and art from a filmmaker's perspective. Students will also do preproduction (research and treatment) for their own short documentary, along with shorter hands-on exercises in writing narration, interview techniques, etc.

We will view, analyze, and discuss films by modern documentary masters such as Michael Moore ("Sicko"), Chris Paine, ("Revenge of the Electric Car"), Seth Gordon ("The King of Kong - A Fistful of Quarters"), Pamela Yates ("Granito") and many others to further the understanding of the documentary craft and art from a filmmaker's perspective. Students will also do preproduction (research and treatment) for their own short documentary, along with shorter hands-on exercises in writing narration, interview techniques, etc.

This course is an introductory workshop in 16mm single-camera filmmaking, linear editing, and film projection intended for students interested in pursuing further creative production and coursework in film, especially toward completion of the Major or Certificate in Film Studies. Because the skills utilized in analog filmmaking can build upon but are in part discrete from those learned in video production, most students will have prior experience with photography or videography, though this is not strictly required.

This class offers a survey of the film productions of the Spanish state. Through a selection of over 20 films, this class will follow the evolution of Spanish society and culture from dictatorship to democracy. It will address the development of Spanish cinema with an emphasis on different cinematic genres and film schools (for instance Basque cinema or Catalan cinema), and auteurs (Bu?uel, Saura, Luna, Almodovar, Coixet, Bollain, etc.).

Film and screen media touch nearly every corner of popular, professional and intellectual culture, and new varieties of film writing are flourishing along with it. In addition to the force of the research essay and the art of the film review, there is now the dynamism of new media - videographic essays, podcasts, blogs, and other engagements with film. This course is designed to teach advanced film and media analysis and writing skills for academic, professional, and public audiences.

Course taught in English. Re-examines Italian neo-realism and the filmmakers? project of social reconstruction after Fascism. How Italian film produces meanings and pleasures through semiotics and psychoanalysis, so as to understand the specific features of Italian cinema, its cultural politics, and the Italian contribution to filmmaking and formal aesthetics. Course taught in English. (Gen. Ed. AT)