Photography I

An introduction to visual experience through a study of the basic elements of photography as an expressive medium. Each section involves either black and white or a combination of darkroom and digital processes. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15. Prerequisite: ARS 162 or ARS 172 or equivalent. Instructor permission required.

IntermedSustainDesign

This course is a design investigation of sustainable architecture. Students research cutting edge innovations in green technology and present their findings through graphic boards and verbal presentations. They design systems for water collection, air filtration and cooling, energy capture, site strategies, and solar power, and model them using Revit, a 3D drawing program, as well as physical models. Through these rigorous design exercises and creative innovations, a design language is developed, culminating in a final building project.

Woodcut Printmaking

Relief printing from carved woodblocks can create images that range from precise and delicate to raw and expressionistic. It is a direct and flexible process that allows for printing on a variety of materials at large and small scales. Students use both ancient and contemporary technologies to produce black and white and color prints from single and multiple blocks. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Prerequisite: ARS 163 or ARS 172, or equivalent. Enrollment limited to 15.

The Book:Theory & Practice I

(1) Investigates the structure of the book as a form; (2) provides a brief history of the Latin alphabet and how it is shaped calligraphically and constructed geometrically; (3) studies traditional and non-traditional typography; and (4) practices the composition of metal type by hand and the printing of composed type on the SP-15 printing presses. A voluntary introduction to digital typography is also offered outside class. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 12.

Intaglio Printmaking

This course is an in-depth introduction to the expressive potential of the printed image and the distinct visual and tactile qualities of etching and drypoint. The class explores how prints can function as social devices, manifestations of texture and opportunities for collaboration. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Prerequisite: ARS 163 or ARS 172, or equivalent. Instructor permission required. Enrollment limited to 12.

Painting Ideas

In this course, students take a materialist approach to painting. With a focus on oil and water-based pigments, students explore mixed-media and experimental painting methods, and learn varied traditions of color theory and surface techniques through prompt-based assignments. This class includes working with sites and collections on campus--like the Botanic Garden, Smith Archives, or Design Thinking--to practice idea generation and consider ways to incorporate different themes and visual resources into our studio practice. Prerequisite: ARS 163. Enrollment limited to 18.

Painting I

Various spatial and pictorial concepts are investigated through the oil medium. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Prerequisite: ARS 163 or equivalent. Enrollment limited to 18. Instructor permission required.

T-Sites of Belonging

This course is inspired by the vein of artistic practice that mines sites of belonging as starting points for making artwork. Sites of belonging are considered in an expansive sense, as physical locations but also spaces of created community and individual agency -- birthplaces, families born into or chosen, neighborhoods (actual and metaphorical) of connection. The course explores how characteristics of these sites, physical markers, rhythms of making, and memory directly or adjacently express these sites through the beautiful language of materials and tactility. S/U only.

T-Sites of Belonging

This course is inspired by the vein of artistic practice that mines sites of belonging as starting points for making artwork. Sites of belonging are considered in an expansive sense, as physical locations but also spaces of created community and individual agency -- birthplaces, families born into or chosen, neighborhoods (actual and metaphorical) of connection. The course explores how characteristics of these sites, physical markers, rhythms of making, and memory directly or adjacently express these sites through the beautiful language of materials and tactility. S/U only.

Studio Art Foundations

This cross-disciplinary studio course involves two-dimensional, three-dimensional and time-based approaches. Students are introduced to a range of conceptual and practical frameworks for making and thinking about art. This course is strongly recommended for students considering the art major. By emphasizing visual thinking, risk-taking and critical reflection, this course also has relevance for other disciplines. Core studio materials are provided. Students are responsible for the purchase of additional supplies required for individual projects. Enrollment limited to 15.
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