Teaching English Learners

This course addresses core competencies outlined in the Massachusetts Department of Education's Sheltered English Immersion endorsement requirement. Readings in language acquisition theory, language learning and teaching, effective lesson design and assessment, Sheltered Instruction Observation Protocol, and knowledge of linguistically and culturally diverse learners are covered. Students will have experience developing and adapting lessons and curriculum to address the needs of students.

History of Western Music I

The first in a four-semester survey of European and Eurocentric classical music, covering the period to 1700 and changes in how composers interacted with performers, audiences, critics, institutions, and society at large. We trace these changes through a fast-paced survey of representative works, including music by women composers, composers of color, and LGBTQ+ composers. We build skills in score reading, understanding musical forms and genres, interpreting primary sources, and writing music history. Course theme: Music and the Sacred.

Educational Psychology

What do we learn? How do we learn? Why do we learn? In this course, we will study issues of learning, teaching, and motivation that are central to educational psychology. We will explore the shifting paradigms within educational psychology, multiple subject matter areas, (dis)continuities between classroom and home cultures, students' prior experiences, teachers as learners, ethnic and gender identity in the classroom, and learning in out-of-school settings.

Glee Club

Advanced ensemble with a varied classical, contemporary, and folk-derived repertoire. Sight-reading and music theory are incorporated throughout the course. Emphasis is placed on developing techniques for healthy and beautiful vocal production, learning critical listening skills, singing with expression and understanding, and ultimately demonstrating growth as choral musicians.

Social Justice in Education

When do we bring up issues of identity (i.e., race, class, gender, etc) in a classroom? What do teachers need to interrupt racism and other types of oppression? How do societal issues affect schools and communities? This course examines the historical, social, and legal underpinnings of social constructions and how perspectives on racism and other types of oppression have influenced lives within school communities.

Chamber Singers

Highly select chamber choir of 12-18 voices drawn from Glee Club and Chorale with an emphasis on musical independence. Members possess excellent music reading skills and are one of just a few voices on a part. Specializes in challenging classical and contemporary repertoire for treble voices.

Cosmology

This course covers cosmological models and their relationship to observational data. Topics include background electromagnetic radiation, nucleosynthesis, dating methods, determinations of the mean density of the universe and the Hubble constant, and tests of gravitational theories. We also discuss questions concerning the foundations of cosmology and its future as a science. Students will have the opportunity to run cosmological simulations and conduct original research with the potential for co-authored publication.

The Sky

This course will provide a hands-on introduction to observing and understanding the extraterrestrial sky. Daily and annual motions of the sun, moon, planets, and stars; celestial coordinate systems; apparent brightnesses and colors of the stars; time; calendars. Observations at the Williston Observatory with the unaided eye, visually with the eight-inch telescope, and by electronic camera with computer-controlled telescopes.

Music Theory and Difference

This course asks what it means to create, consume, and analyze music across lines of cultural difference. In what ways do a repertoire's features become associated with -- or bound to -- the people who create it? As we listen and analyze across cultural lines, what aspects might be translated or lost; what might be gained? What distinguishes modes of interaction such as influence, hybridity, and appropriation? How do systems of power and oppression impact our thinking on these questions?
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