Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

Focus on narrative problems of love, desire, sexual identity, daily life, and death. These films' investigations of how we might gain distance on our life fictions by questioning and undermining viewer identification with narrative. (Gen.Ed. AT)

This course introduces students to key film genres, directors and artistic debates in Weimar Germany (1918-1933). Focusing primarily on German Jewish, women, and LGBTQIA+ film professionals, students will critically engage with significant political, historical, social and cultural events in Weimar cinema. Conducted in English. (Gen. Ed. AT, DG)

This is a history of film course focusing on what is sometimes referred to as the Golden Age of Hollywood. An in-depth examination of Classical Hollywood cinema as a distinct mode of film practice, with its own cinematic style and industrial conditions, this course will concentrate on the period from 1917 to the early 1960s.

This is a history of film course focusing on what is sometimes referred to as the Golden Age of Hollywood. An in-depth examination of Classical Hollywood cinema as a distinct mode of film practice, with its own cinematic style and industrial conditions, this course will concentrate on the period from 1917 to the early 1960s.

An introduction to German cinema, treating Weimar Expressionism, Nazi film and anti-Nazi exile cinema, film in post-WWII East and West Germany, and German film since the fall of the Berlin Wall. Conducted in English. (Gen.Ed. AT)