Circuits and Electronics II

Analysis of circuit response to sinusoidal excitation; phasor analysis, impedance, admittance, power, frequency response, transfer functions, Bode plots, filters. Linear analysis of nonlinear circuits; DC biasing of 3 terminal devices, small signal analysis, single device amplifiers, small signal gain and frequency response.

Circuits and Electronics II

Analysis of circuit response to sinusoidal excitation; phasor analysis, impedance, admittance, power, frequency response, transfer functions, Bode plots, filters. Linear analysis of nonlinear circuits; DC biasing of 3 terminal devices, small signal analysis, single device amplifiers, small signal gain and frequency response.

Honors Project

Honors project expectations are high. The intended end-product is a traditional project manuscript with accompanying artifact(s), all projects: - are 6 credits or more of sustained research on a single topic, typically conducted over two semesters. - begin with creative inquiry and systematic research. - include documentation of substantive scholarly endeavor. - culminate in an oral defense or other form of public presentation.

Form in Tonal Music

How can a piece of instrumental music with no words tell a story? How can a song with words convey a sense of perfect abstract design? Musical form is an interaction of melody, harmony, rhythm, and other musical parameters that can be used to structure a temporal experience into a narrative experience. We will consider several genres across musical eras and traditions, including Baroque counterpoint, classical sonata forms, and American popular song forms, seeing how the shaping of common practice harmony gives voice to many shades of individuality within each tradition.

Exploring Music

Through composition, analysis, listening practice, and performance, we will build a solid working understanding of many principles of music common in Western musical traditions. The course aims to develop comfort and dexterity in engaging with music via listening, analysis, and creative work. Assignments include harmonizing melodies, writing short melodies and accompaniments, creative representation and listening projects, and annotated analysis. On several occasions we will use our instruments and voices to bring musical examples to life in the classroom.

Jeff Cross

Submitted by Anonymous (not verified) on
Primary Title:  
Operations Assistant
Institution:  
Five Colleges Inc
Department:  
Operations
Email Address:  
jccross@fivecolleges.edu
Telephone:  
413-542-4001
Office Building:  
Five College Library Annex, 202 Plain Road, Hatfield MA 01066

Genevieve Sawyer

Submitted by admin on
Primary Title:  
Clerk
Institution:  
UMASS Amherst
Department:  
Commonwealth Honors College
Email Address:  
ggsawyer@umass.edu
Telephone:  
413-545-0140
Office Building:  
Commonwealth Honors College
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