This course covers the neural circuits and biochemical mechanisms underlying the body's response to stress and the impact of stress on mental health. In place of a textbook, assigned readings include peer-reviewed research and review articles, with the primary focus on preclinical studies using animal models.

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Cognitive psychology is the branch of psychology concerned with the scientific study of the mental processes involved in perception, attention, memory, knowledge, language, problem solving, reasoning, and decision-making. In short, cg is concerned with the scientific study of the mind and mental processes (Goldstein, 2005). When you finish the class you should be able to understand, evaluate, and do research in cognitive psychology. You will be learning from both a text and primary journal articles.

A seminar on literary criticism east and west, from the classical period to the Renaissance in Europe, as well as in ancient China and the medieval Islamic world. Commonalities in all our texts: what constitutes art and beauty in verbal expression? What is the purpose of literature? Who may have access to literature? What are sacred and canonical texts, and how shall they be approached? What is the connection between literature and truth, literature and morality? What are the proper techniques for composing good literature? What is the function of the study of rhetoric?

Earth surface processes and their relation to topography and landscape evolution. Focus on hillslope, fluvial, and other processes that shape Earth's surface. Field trips by arrangement.

In this course, we will examine feminist theorizations, critiques, and accounts of gender and sexuality in the context of nation-state formations, colonization, globalization, and migration. We will interrogate how the gendered body becomes a target of violence, regulation, and objectification, but also functions as a site of resistance. We will also examine how the body serves as a marker nation and identity, and a locus generating knowledge, both scientific and experiential.

This course offers an introduction to some of the basic concepts and theoretical perspectives in Women, Gender and Sexuality Studies. Drawing on disciplinary, interdisciplinary and cross-cultural studies, students will engage critically with issues such as gender inequities, sexuality, families, work, media images, queer issues, masculinity, reproductive rights, and history. Throughout the course, students will explore how experiences of gender and sexuality intersect with other social constructs of difference, including race/ethnicity, class, and age.

This course offers an introduction to African film as an aesthetic and cultural practice. Students should expect to be familiarized with the key ideas and objectives that have inspired and driven that practice since the early 1960s, and be furnished with the technical tools and methodological skills that would permit them to understand, analyze, and think critically about the artistic and thematic aspects of the films that are screened.

This course will explore themes of the Southern Gothic in works of Cinema and popular Televisual narratives. We will study the development of the lurid motifs of the Gothic that works affiliated with this genre often deploy to invoke a sense of horror and dread, moral corruption, and psychological abjection, all seemingly meant to assimilate the South and its citizens to the category of a degenerate and menacing otherness.