Offered as FRN 299, ITL 299, POR 299 and SPN 299. The course explores the issues in world language instruction and research that are essential to the teaching of Romance languages. Special focus is on understanding local, national and international multilingual communities as well as theories, methods, bilingualism and heritage language studies. Discussions include the history of Romance languages, how to teach grammar and vocabulary, the role of instructors and feedback techniques.

This course looks at the ways in which Latin American authors confronted, appropriated and also resisted the paradigms of Modernity, from the post-Independence period to the mid 20th century. Through the study of primary sources and some recent re-interpretations of historical events, the class reflects on how Latin American culture was shaped by the legacy of colonialism and the persistent struggle to leave it behind.

An overview of films made by women in Latin America since the early 2000s. The class will study works representing various countries in the region, both from well-established and emerging directors. Students will learn about the general conditions in which these women made their films, reflecting on the various ways in which gender informs the content and determines the production of those films. With the support of theoretical readings, the work of these filmmakers will offer opportunities to reflect on issues of gender and sexuality in Latin America.

A study of the Spain of today through a look at its past in art, history, film and popular culture. The course analyzes Spain’s plurality of cultures, from the past relations among Jews, Christians and Muslims, to its present ethnic and linguistic diversity. Highly recommended for students considering Study Abroad in Spain. Prerequisite: SPN 220 or equivalent. Enrollment limited to 20.

This is a hinge course between Beginning-Intermediate and Advanced-Intermediate courses. Its goal is the acquisition of linguistic and cultural literacy, and the development of student's capacities as a writer and reader of Spanish. On occasion, the class might work on some grammar, according to need, but this is not a grammar course. Short stories, biographical pieces, a play, biographies, essays and poems by (mainly) Spanish women writers from the 12th-century to present day, as well as one novel.

Climate change is a planetary crisis, yet its impacts and the responses to it vary both geographically and culturally. This course examines climate change and cultural-ecological narratives produced in Spanish-speaking regions of the world, with particular interest in alternative, non-mainstream media. These include community radio broadcasts and theater, participatory video, photography, graphic novels and transmedia texts that uplift minority voices. In this course students work independently and collaboratively to explore who creates these narratives, why, and where and how they do so.

Whether or not one considers themself an “artist”, one can engage in and appreciate the meaning that can be expressed and created through engagement with artful texts and pursuits, and in this class, students do so while pursuing the art of understanding and expressing themselves in Spanish. Through engagement with various artistic texts, students work with and respond to the diverse ways a story can be shared. The class explores the art of storytelling and the meaning it carries for individuals and communities.